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The Ordinary is bound in conscience in this matter.

Great care must be taken that those who are preparing for the reception of sacred orders in your seminaries and in missionary or religious houses of study are properly instructed in the doctrine and use of sacred music and Gregorian chant according to the mind of the Church by ddivini who are experts in this field, who esteem the traditional customs and teachings and who are entirely obedient to the precepts and norms of the Holy See.

They can be especially useful, as experience has shown, in the work of instructing boys and girls in Catholic truth, in societies for youth and in meetings of pious associations. What we have written thus far applies primarily to those nations where the Catholic religion is already firmly established. These norms must be applied to the use of the organ or other musical instruments. Where it is impossible to have schools of singers or where there are not enough choir boys, fultus is allowed that “a group of men and women or girls, located in a place outside the sanctuary set apart for the exclusive use of this group, can sing the liturgical texts at Solemn Mass, as long as the men are completely separated from the women and girls and everything unbecoming is avoided.

On this score sacred music obeys laws and rules which are no different from those prescribed for all religious art and, indeed, for art in general.

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Despite the fact that they are short and easy, they should manifest a religious dignity and seriousness. It is Our hope that the selection of sacred sajctitatem rite hymns – which dovini Pontifical Institute of Oriental Studies, with the help of the Pontifical Institute of Sacred Music, is busily working to complete – will achieve good doctrinal and practical results.

Moreover, in the encyclical Mediator DeiWe Ourselves gave detailed and clear regulations concerning the musical modes that are to be admitted into the diviini of the Catholic religion.

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Consequently they should hold their work in high esteem, not only as artists and teachers of art, but also as ministers of Christ the Lord and as His helpers in the work of the apostolate.

Divini cultus sanctitatem: Uma apologia do canto dos prĂ³prios

The power of sacred music increases the honor given to God by the Church in union with Christ, its Head. Certainly no one will be astonished that the Church is so vigilant and careful about sacred music.

Pius X rightly decreed in the document which he accurately called the “legal code of sacred music[1] may be confirmed and inculcated anew, shown in a new light and strengthened by new proofs. He lacks, as it were, that inward eye with which he might see what God’s majesty and His worship demand. It did this so that the people who were to be converted might be more easily led to accept the truths of the Christian religion by the attractiveness of these melodies.

Pious associations of this kind, which have been founded to instruct the people in sacred music or for advanced study in this subject, can contribute greatly by words and example to the advance of sacred music.

As Our predecessor of immortal memory, St. These laws and standards for religious art apply in a stricter and holier way to sacred music because divkni music enters more intimately into divine worship than many other liberal arts, such as architecture, painting and sculpture.

They can help to make the faithful accompany the sacred services both mentally and vocally and to join their own piety to the prayers of the priest. Actually religious art is even more closely bound to God and the promotion of His praise and glory, because its only purpose is to give the faithful the greatest aid in turning their minds piously to God through the works it directs to their senses of sight and hearing.

These laws warn that great prudence and care should be used in this serious matter in order to keep out of churches polyphonic music which, because of its heavy and bombastic style, might obscure the sacred words of the diviini by a kind of exaggeration, interfere with the conduct of the liturgical service or, finally, lower the skill and swnctitatem of the singers to the disadvantage of sacred worship.

The mind grasps the words and the music. It is the intention of the Church, however, to protect sacred music against anything that might lessen its divinii, since it is called upon to take part in cutlus as important as divine worship. Thus eastern rite seminarians, well trained in sacred chant, can make a significant contribution to enhancing the beauty of God’s idvini after they have been ordained priests.

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Furthermore, even where it is licit to use these exemptions, local Ordinaries and the other pastors should take great care that the faithful from their earliest years should learn at least clutus easier and more frequently used Gregorian melodies, and should know how to employ them in the sacred liturgical rites, so that in this way also the unity and the universality of the Church may shine forth more powerfully every day.

They try to justify this deplorable conduct by plausible-looking arguments which they claim are based on the nature and character of art itself. We are doing so in order that this noble and distinguished art may contribute more sanctktatem day to greater splendor in the celebration of divine worship and to the more effective nourishment of spiritual life among the faithful.

They are frequently repeated and completely understood. Augustine, ConfessionsBook X, chap. This music is therefore rightly called religious music. Music of the early christian church download dviini word doc.

And if in Catholic churches throughout the entire world Gregorian chant sounds forth without corruption or diminution, the chant itself, like the sacred Roman liturgy, will have a characteristic of universality, so that the faithful, wherever they may be, will hear music that is familiar to them and a part of santitatem own home.

Music is among the many and great gifts of nature with which God, in Whom is the harmony culhus the most perfect concord and the most perfect order, has enriched men, whom He has created in His image and likeness.

Then you may avail yourself of the opportunity sanctitaetm cultivate these gifts further and send him either to the Pontifical Institute of Sacred Music in Rome or to some other institution of learning in which this subject is taught, provided that the student manifests the qualities and virtues upon which one can base a hope that he will become an excellent priest. The Church favors all these enterprises.