The Love Life of Clark Gable - Neatorama
Perhaps the lack of internet accountability or the skill of 'fixers' in s Hollywood helped, but the long list of Clark Gable's relationships off-screen proves he. Clark Gable and Marilyn Monroe in a car scene in the movie Western centering on a divorcée (Monroe) and her complicated relationship with. In one of their relationship power struggles, Gable calls Monroe “silly”. The Misfits: starring Clark Gable, Marilyn Monroe, Montgomery Clift.
He received a lot of fan mail as a result of his powerful voice and appearance; the studio took notice. After moving to California, they were married again inpossibly due to differences in state legal requirements. Zanuckthen at Warner Bros. He became a client of well-connected agent Minna Wallis, sister of producer Hal Wallis and a very close friend of Norma Shearer.
MGM was looking to expand its stable of male stars and he fit the bill. He first worked mainly in supporting roles, often as the villain. He made two pictures in with Wallace Beerya supporting role in The Secret Sixthen with his part increasing in size to almost match Beery's in the naval aviation film Hell Divers. MGM's publicity manager Howard Strickling developed Gable's studio image, playing up his he-man experiences and his lumberjack-in-evening-clothes persona.
Joan Crawford asked for him as her co-star in Dance, Fools, Dance He built his fame and public visibility in such movies as A Free Soulin which he played a gangster who shoved the character played by Norma Shearer; Gable never played a supporting role again. The Hollywood Reporter wrote "A star in the making has been made, one that, to our reckoning, will outdraw every other star Never have we seen audiences work themselves into such enthusiasm as when Clark Gable walks on the screen.
Johns later dubbed Gable and Crawford's real-life relationship as "the affair that nearly burned Hollywood down". Mayer threatened to terminate both their contracts, and for a while, they kept apart.
Gable shifted his attentions to Marion Davies. However, Gable and Garbo disliked each other. She thought he was a wooden actor, while he considered her a snob. Secretary with Myrna Loy and James Stewart. An enormously popular combination, on-screen and off-screen, Gable and Harlow made six films together, the most notable being Red Dust and Saratoga Harlow died during production of Saratoga.
Ninety percent completed, the remaining scenes were filmed with long shots or the use of doubles like Mary Dees ; Gable said that he felt as if he were "in the arms of a ghost".
Studio head Louis B. Robert Montgomery was originally offered the role, but he declined, feeling the script was poor. To Capra, Gable's character in the film most closely resembled his real personality: It Happened One Night is the real Gable. He was never able to play that kind of character except in that one film. They had him playing these big, huff-and-puff he-man lovers, but he was not that kind of guy. He was a down-to-earth guy, he loved everything, he got down with the common people.
He didn't want to play those big lover parts; he just wanted to play Clark Gable, the way he was in It Happened One Night, and it's too bad they didn't let him keep up with that. Their daughter, Judy Lewiswas born in Novemberbut her parentage was kept hidden from the public. San Francisco featured Tracy in an only minute, but Oscar -nominated, role in which he played a priest who knocks Gable, by then the studio's foremost leading man, down in a boxing ring.
For their final film, Boom TownTracy moves up a rung with a larger part than earlier, almost achieving parity with billing directly under Gable and above Claudette Colbert and Hedy Lamarr.
The picture, a lavish epic about two oil wildcatters who become partners then rivals, was s most financially successful release for Metro-Goldwyn-Mayer. Gone with the Wind[ edit ] Despite his reluctance to play the role, Gable is best known for his performance in Gone with the Windfor which he gained a Best Actor Oscar nomination. Carole Lombard may have been the first to suggest that he play Rhett Butler and she play Scarlett when she bought him a copy of the bestseller, which he refused to read.
Since Selznick had no male stars under long-term contract, though, he needed to go through the process of negotiating to borrow an actor from another studio. Gary Cooper was Selznick's first choice. Gable was wary of potentially disappointing an audience that had decided that no one else could play the part.
He later conceded, "I think I know now how a fly must react after being caught in a spider's web. Clark Gable almost walked off the set of Gone With the Wind when he discovered the studio facilities were segregated and were designated "White" and "Colored". He reportedly only went after she pleaded with him to go. Gable remained friends with McDaniel, and he always attended her Hollywood parties, especially when she was raising funds during World War II.
Olivia de Havilland made him cry, later commenting, "Oh, he would not do it. Victor Fleming tried everything with him. He tried to attack him on a professional level.
We had done it without him weeping several times and then we had one last try. I said, 'You can do it, I know you can do it, and you will be wonderful He put his whole heart into it. Marriage to Carole Lombard[ edit ] Gable and Carole Lombard after their honeymoon, Gable's marriage in to his third wife, actress Carole Lombard —was the happiest period of his personal life.
They met while filming 's No Man of Her Ownwhen Lombard was still married to actor William Powellbut their romance did not take off until They became reacquainted at a party and soon were inseparable, cited in fan magazines and tabloids as an official couple. Gable thrived being around Lombard's youthful, charming, and frank personality, once stating, "You can trust that little screwball with your life or your hopes or your weaknesses, and she wouldn't even know how to think about letting you down.
She taught herself how to hunt and fish and accompanied Gable on trips with his hunting companions. Roomknown as the Clark Gable room. Gable was still legally married, and he prolonged a lengthy and expensive divorce from his second wife Rhea Langham. His salary from Gone with the Wind enabled him to reach a divorce settlement with Langham, however, on March 7, On March 29, during a production break on Gone with the Wind, Gable and Lombard were married in Kingman, Arizona  and spent their honeymoon in room in the Arizona Biltmore Hotel.
They raised chickens and horses, and had a menagerie of cats and dogs. She had just finished her 57th movie, To Be or Not to Beand was on her way home from a successful war bond selling tour when the flight's DC-3 airliner crashed into Potosi Mountain near Las Vegas, Nevadakilling all 22 passengers aboard, including 15 servicemen en route to training in California.
Gable flew to the crash site to claim the bodies of his wife, mother-in-law, and Winkler, who had been the best man at Gable and Lombard's wedding.
Lombard was declared to be the first war-related American female casualty of World War IIand Gable received a personal note of condolence from President Roosevelt. The Civil Aeronautics Board investigation into the crash concluded that pilot error was its cause. Having lost 20 pounds since the tragedy, Gable evidently was emotionally and physically devastated by it, but Turner stated that Gable remained a professional for the duration of filming.
He acted in 27 more films, and remarried twice more. Lombard had suggested that Gable enlist as part of the war effort, but MGM was reluctant to let him go, and he resisted the suggestion. Gable made a public statement after Lombard's death that prompted the Commanding General of the U. Army Air Forces Henry H. The Washington Evening Star reported that Gable took a physical examination at Bolling Field on June 19, preliminary to joining the service.
Gable, it was learned from a source outside the war department, conferred with Lieutenant General H. Arnold, head of the air forces yesterday. Gable, if he is commissioned, will make movies for the air forces. Lieutenant Jimmy Stewartanother actor in uniform, has been doing this. MGM arranged for his studio friend, the cinematographer Andrew McIntyre, to enlist with him and accompany him through training.
Both completed training on October 28, and were commissioned as second lieutenants. His class of about 2, students of which he ranked about th selected Gable as its graduation speaker, at which General Arnold presented the cadets with their commissions.
Arnold then informed Gable of his special assignment: Mario Toti and Robert Boles, and the sound man Lt. Howard Voss to complete his crew.
The Last Film of Marilyn Monroe and Clark Gable – Silver Screenings
Gable was promoted to captain while he was with the st Bomb Group at Pueblo Army Air BaseColorado, a rank commensurate with his position as a unit commander. Prior to this, he and McIntyre were both first lieutenants. Gable flew five combat missions, including one to Germany, as an observer-gunner in B Flying Fortresses between May 4 and September 23,earning the Air Medal and the Distinguished Flying Cross for his efforts. During one of the missions, Gable's aircraft was damaged by flak and attacked by fighters, which knocked out one of the engines and shot up the stabilizer.
In the raid on Germany, one crewman was killed and two others were wounded, and flak went through Gable's boot and narrowly missed his head. When word of this reached MGM, studio executives began to badger the Army Air Forces to reassign its most valuable screen actor to noncombat duty. It is full of insights into her life. At least as far as Arthur Miller saw it.
For non-fans this is a tedious film to watch. This movie stars two of the greatest movie stars of the century. Gable's nickname was 'The King. Made in The Misfits is a symbolic end to movie stars of the first 50 years of Hollywood.
May 3rd, Montgomery Clift in The Misfits. For the most part Eric has written an insightful review of this movie. I disagree only with his statement that for nonfans of Monroe if there are any this is a tedious film. It is a well-written psychologically complex movie that has some of the greatest acting you will ever see on film.
It's true that Miller, as a playwright, writes better for the stage than for the more action-friendly environment of film. But this doesn't detract from the enjoyment level of the movie as long as you are equipped with a reasonable attention span. I always associate this movie with Who's Afraid of Virginia Woolf?. Marilyn represents the ideal woman to the three male 'misfits'.
All of them - with only slight variations - tell her that she looks like she was 'just born' or is 'brand new'. She combined innocence with raw sex appeal in a way that no one else has come close to - before or since.
In the movie she feels deep empathy and compassion for every living thing. Gable is an aging cowboy who knows his time in the world is nearly up. He doesn't understand - or want to be a part of - the new changing order. In one compelling scene a soused Gable runs out into the street from the bar he and his friends are sitting in and yells for his children. His children are never shown.
Arthur Miller leaves it to the audience to decide if he really saw his kids or only imagined he did. Either way it is a sad, sad moment and some of Gable's finest acting.
The Last Film of Marilyn Monroe and Clark Gable
Clift who would also die a few years after making this movie is the black sheep of a wealthy family. As always he exudes a tenderness beneath a tough exterior and a subtle sexual ambiguity. This is probably his finest performance after the car accident that permanently disfigured his face and nearly killed him a few years before.
Sadness is the key to The Misfits.
When Eve Arnold met Marilyn Monroe | Photography | Agenda | Phaidon
Eli Wallach and Thelma Ritter also play important parts in the story. Wallach is Gable's sidekick but at the end of the movie he comes close to being a villian. Together they give great support to the three tragic stars at the movies core. John Huston's direction often gets overlooked but it is brilliant. He sets up many great shots especially during the famous horse roping scenes.
The final scene in the movie is an iconic screen moment. Gable and Monroe drive off as the sun sets. She asks, 'How do you find your way back in the dark?
The highway's under it. It'll take us right home. Eric, I don't know if you read that theory about each of the men in this film representing one of Monroe's husbands or if you made it up yourself, but I'm not buying into it.
I think maybe you're such a fan of Monroe's that you're seeing things that aren't there. There are so many things going on below the surface pretty much everything here, but about the characters and not Monroe herself.
Miller may have written this movie for her, but I don't think he wrote it about her in the biographical details sense anyway. Personally, I think that the way this movie best captures the essence of Monroe is that we really only see her through the men's eyes.
Each of them sees her as they want to see her.